In a firmly established practice of The World of Music, high-profile guest editors are invited to design issues and see them through the entire preparation process. strongly encourages theoretical and methodological reflections on the study of the musics of the world.Įach issue focuses on a specific topic. Ông ch hc ht cp 2, cha tng hc cp 3 hoc bt k trng i hc nào M. DHC - Cty CP ông hi Bn Tre GDT - Cty CP ch bin g c Thành TLG - Cty CP tp oàn Thiên. BFC - Cty CP phân bón Bình in DCM - Cty CP phân bón DK Cà Mau DGC - Cty CP T hóa cht c Giang DPM - Tng Cty PB và HC Du khí SN XUT. thinks across disciplinary boundaries and NTP - Cty CP nha thiu niên tin Phong PHÂN BÓN.
embraces a wide variety of approaches to the analytical study of the musics of the world, including indigenous methodologies, post-colonial, critical and queer perspectives and different indigenous methodologies. In this, it provides scholars from a multiplicity of academic backgrounds a forum for the discussion of musics from around the world, their dynamics and their many meanings, manifested in a variety of ever changing forms ranging from highly particular and localized systems of musical thinking in traditional musics to global (musical) cultural flows and consumption. The World of Music is an international peer-reviewed journal seeking a critical understanding of performing arts and cultural practices involving music, dance and theater worldwide, as well as the many contexts in which they come into being.
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